Plein Air, Painting the American Landscape

 

 

Far more than a “how-to” shows, the Plein Air, Painting the American Landscape Series is a celebration of our natural world, a visual retreat to our nation’s beautiful places and an exploration of the rich and colorful history of American landscape painting. From the founding of the Cape Cod School by Charles Hawthorne in 1899 and gathering of the Taos Society of Artists a few years later to location demonstrations by today’s leading landscape artists – viewers will discover the roots of this uniquely American art form and why painting “en plein air” is once again at the forefront of American representational art.


Three nationally acclaimed plein air artists, Matt Smith, of Scottsdale, Arizona, Kenn Backhaus of Robesonia, Pennsylvania, and Jean LeGassick, of Silver City, Nevada, paint Alaska’s Mt. McKinley, North America’s tallest mountain, and the expansive wilderness landscape of Denali National Park.

Viewers join Smith on location for a brief painting demonstration and a glimpse into the training, technique and thought processes necessary to paint a successful plein air painting. And the adventure and risks of painting in the wild become evident when a blond grizzly arrives uninvited, and sends the artists scurrying.

A visit to the Anchorage Museum presents the astonishing mountaineer and artist, George Brown, and the paintings he created while climbing Mt. McKinley as a member of the 1947 Bradford Washburn Mt. McKinley Expedition.
 
Plein air artists, Smith, Backhaus and LeGassick, travel to remote Southeast Alaska to paint the Tongass Rain Forest, renowned for its towering old growth cedar, hanging moss and incessant rainfall. This episode features a demonstration by Jean LeGassick, who proves that it takes tenacity, gear, and considerable know-how to paint in a rain forest.

Jean shares her personal experience on her road to becoming a professional artist. And her colleagues prove there are struggles and obstacles in every endeavor.

Professor Kesler Woodward examines Laurence’s life and art in the context of modern times. The majesty of the Kenai landscape, the fun and camaraderie amongst the artists, and their pursuit of the rich heritage of landscape painting on location in Alaska creates a memorable viewing experience.

 


 

Seward, Alaska, en Plein Air

Kenn Backhaus leads the trio of visiting artists to Seward, Alaska and its beautiful Resurrection Bay, gateway to Kenai Fjords National Park. With the towering Chugach Mountains as a backdrop the artists find inspiration in a derelict boatyard. Kenn demonstrates his approach to painting en plein air, and discusses the influences that shaped him as an artist.

The activities of today’s artists are examined in context with earlier nationally known Alaskan plein air artists and adventurers, Eustace Ziegler and Ted Lambert. Professor Kesler Woodward provides commentary and examples.

Viewers are introduced to iconoclastic painter of Mt. McKinley, Sidney Laurence, whose paintings, created in the early 1900s, have come to epitomize the Alaska landscape.
 

 


Cape Cod with Charles Sovek, en Plein Air


Nationally known Connecticut artist, author and educator, Charles Sovek, takes viewers to his summer home and studio on Cape Cod. Highly engaging, Charles shares his life as an artist and the perspective 50 years of experience brings to painting en plein air.

Viewers will discover the rich history of the Provincetown artists’ colony, from the founding by Charles Hawthorne in the late 1800s, to the arrival of Hans Hoffman and the abstract expressionist. Commentary and examples are provided by Chris McCarthy, Director of the Provincetown Art Association and Museum, and James Bakker, author and art expert.

Peggy Sovek, Charles' wife, shares her family’s history and relationship to Charles Hawthorne at the family’s “Red House.” And Charles demonstrates art in the making with a painting demonstration on the docks of the Provincetown boat harbor.

 

Taos en Plein Air, and the Taos Society of Artists

Contemporary plein air artist, Ron Rencher, is featured in this episode and introduces viewers to the rich and colorful history of Taos, New Mexico. Following a brief biographical sketch, discover how the Pueblo (Tewa) Indians, the Sante Fe Railroad and a group of academically trained, highly skilled artists from the East Coast came together to give birth to the Taos Society of Artists and artist colony that remain active today.

This episode takes viewers to the Taos Pueblo, still inhabited after a thousand years, and the E. I. Couse Studio – the remaining in-tact studio of the Taos Society of Artists. The program concludes with a painting demonstration by well-known plein air artist, Ron Rencher, painting the autumn colors in the Sangre de Christo Mountains.

 

Trinidad, Colorado, en Plein Air, and the California Impressionists

Watercolorist and oil painter, Frank LaLumia, shows his command of both mediums with an on-location watercolor demonstration as he paints the historic buildings of Trinidad, Colorado, then painting in oils at Three Ponds Farm in Central Michigan. Frank also shares insights into his life as a professional landscape artist.

Jean Stern, Executive Director of The Irvine Museum, author and art historian, provides historical insights to plein air painting in America and introduces viewers to works by William Wendt, Guy Rose, Alston Clarke and the California Impressionist plein air artists featured in The Irvine Museum collection.


 

 

 


To order your copies today, click the image(s) below:

  & 

 

 


Send email to WebWorks with questions or comments about this web site.
Copyright © 1999-2005, All rights reserved. No portion may be used without permission. All visual copyrights belong to the artists.
Last modified: March 5, 2005